Musical Chairs 2018: Meet Eva

Musical Chairs 2018: Meet Eva

"I took part in Musical Chairs 2017 for the first time, playing the flute. I loved it! I enjoyed picking up the flute after 20 years break but even better was on the day playing in a group and the wonderful feeling of it all coming together. Amazing!"

A Waltz in the Park: Making the notes playable for a mixed ability ensemble

A Waltz in the Park: Making the notes playable for a mixed ability ensemble

The Modulo Programme 2017-18 has launched, with Modulo Meets coming to Birmingham, London, Manchester and Sheffield in March 2018! While schools looking to kick-start ensemble music-making are signing up to the programme, OFA’s arranger-in-residence, Emma Oliver-Trend, has been busy arranging repertoire on the theme of music for dance, ready for our Modulos to begin rehearsing in January. We asked Emma to tell us a bit more about the process she works through when arranging for mixed ability ensembles.

Kerri tunes up for youth social action

Kerri tunes up for youth social action

If it hadn’t been for Alannah, I’m not sure I would have made it to the 4pm concert. From helping me tune my instrument, pointing to the music when I got lost and helping me with patches I simply could not play, Alannah supported me every step of the way. She was not alone. Throughout the day, across every instrument section in the orchestra, young people from NOFA were actively supporting, mentoring and coaching the adult Musical Chairs participants.

Music has a voice

Music has a voice

Music-making can mean many things to different people: for some, it can be a form of art that allows an individual freedom of expression; it may mean playing together in an ensemble to build friendships and provide a sense of belonging; and for others, it can be a way to escape the real world. Ultimately, music has a voice and no matter who we are or where we are from we can all enjoy and appreciate it

Handing over the reins

Handing over the reins

As I hand over the role of Chair to my fellow trustee Philip Whalley and return to the back benches as trustee, it seems like a good time to reflect on the past 3 years working alongside Marianna and her small band of dedicated staff members. I can say with all honesty that in my 30 years as an arts professional, I have rarely encountered such a combination of creative vision and entrepreneurial acumen in one person as I have seen in Marianna.