Not Just A Note: 7 reasons National Orchestra for All’s inspiring young musicians urge others to join

From connecting with our thriving musical community to performing at iconic arts venues, here’s everything you need to know…

Are you a keen young musician aged 11-16 in the UK and looking to be part of something extraordinary, or do you happen to know someone else who is? Do you believe in the power of music-making to bring people together from all walks of life? If so, National Orchestra for All (NOFA) wants to hear from you!

Our memorable two-year season with the current members of NOFA ends in August, which means that this autumn, our friendly team will be getting ready to recruit the next diverse group of young people to join us (as well as welcome back some of our existing members).

But what exactly is NOFA and why should you join? Read on as our current NOFA members share seven reasons you should consider signing up for this epic youth orchestra…

1.   National status

Whether you’re based in London, Edinburgh, Belfast or Manchester, you’re welcome to join NOFA. Our national orchestra is made up of around 100 young people from across the UK, who come together to rehearse and perform in set locations throughout the year.

In this diverse community of like-minded individuals, you’ll have the opportunity to make new friends, share exciting musical experiences and learn from each other’s different cultures and backgrounds.

NOFA cellist, Santiago, said: “NOFA provides the opportunity to meet people you’ve never seen before and make great connections all around the UK.”

2.   Inclusive environment

Young musicians in NOFA are welcome to play non-traditional orchestral instruments, including guitars.

At NOFA, any young person can participate regardless of their musical ability, background, chosen instrument (including those not usually found in a traditional orchestra, such as guitars and melodicas), or the daily challenges they might be facing – whether that’s physical disability, a mental health condition, learning difference, rural isolation, economic deprivation, living in care or living as a young carer.

We aim to promote a happy, collaborative and empathetic environment where both the young people we work with and NOFA staff feel valued, fostering a sense of belonging. From using pronouns and inclusive musical arrangements, to providing support for those with additional needs, NOFA is truly for all.

NOFA trumpeter, Cameron, said: “I would strongly recommend joining NOFA because I really feel like it gives back to others if you haven't had as much access to music before – I have personal experience through this. I love being part of the inclusive orchestra and anybody would be welcome and included.”

3.   No auditions

Pictured: National Orchestra for All members perform to a live audience at Royal Birmingham Conservatoire.

Unlike most traditional orchestras, you won’t have to worry about auditioning for NOFA as we encourage young musicians of all skill levels to join – from beginners right through to Grade 8 for those completing exams (but this isn’t a NOFA requirement).

Without the competitive pressure of auditions or fear of failure in a typical selection process, participants can focus more on their learning and collaborate in a stress-free setting. At NOFA, the primary goal is for young people to enjoy the collective experience of playing music together with others.

NOFA cellist, Jess, said: “It’s a good place to join if you are nervous about going to an orchestra because it’s just one big happy family! You don’t have to feel like you have to be the best; you can just play along and laugh if you make mistakes.” 

4.   Expert guidance

NOFA musicians will be supported during each residential by our friendly team of wellbeing staff (pictured).

From the moment each young person signs up for NOFA, they receive expert support tailored to their individual needs by our friendly team of staff.

Held a few times each year, our four-day NOFA residentials are led by experienced conductors, orchestral tutors and music educators who are passionate about helping young musicians reach their full potential, providing all the training and mentoring they need to thrive in full orchestra rehearsals and live performances. This includes one-to-one sessions and sectional rehearsals with smaller groups. Young people are also supported by our brilliant team of wellbeing staff, who are always on hand to ensure that everyone feels safe and happy.

NOFA keyboardist, Noah, said: “NOFA is a second home for me, a second family, a safe space. I can't recall any moment here that I haven't enjoyed. I feel respected and heard, and it’s here I’ve made some of my closest friends. The music is catchy and the staff are absolutely amazing!”

5.   Diverse repertoire

Being part of NOFA’s inclusive ensemble, you’ll get to rehearse and perform music spanning all kinds of genres and styles – from popular chart hits to classical masterpieces, world music to captivating film and video game soundtracks. Embracing music and learning by ear in this way introduces the young musicians we work with to different musical traditions and cultures as well as providing concert audiences with a unique and enriching experience.

You’ll also get to collaborate with other NOFA members and guest musicians to create original compositions. This season, NOFA created ’Strength in Numbers’ with composer and multi-instrumentalist, Joe Broughton, which has become a firm favourite (watch and listen above).

NOFA flautist, Keaton, said: “You should join NOFA because it’s a great opportunity to improve your musical ability!”

6.   Performance opportunities

National Orchestra for All members and Artistic Director, Emma, perform at Royal Birmingham Conservatoire.

For many young musicians who join NOFA, a highlight is having the chance to perform live. This could be to each other during group jam sessions, NOFA’s famed recital evenings, or to friends, family and members of the public at prestigious music venues like Royal Birmingham Conservatoire and Nottingham’s spectacular Albert Hall.

While performing enables NOFA members to showcase their musical achievements, it also gives them the opportunity to inspire others through the power of group music-making and share the transformative benefits of live music – like boosting wellbeing – in their local communities.

NOFA violinist, Miecha, said: “It’s nice to go somewhere independently and find yourself, and meet other people from across the UK.”

7.   Personal growth

National Orchestra for All is about more than just playing music – here you can make lifelong friendships.

While we value creativity, NOFA isn’t just about playing music – it’s about personal growth. As well as improving your musical skills, joining the orchestra will boost your confidence and help you develop vital skills. This could be through teamwork or youth leadership opportunities such as becoming a Young Leader or later an Ambassador, where you can provide support as a NOFA alum to members as well as the Orchestras for All team in key areas, including production, marketing and artistic planning.

You’ll learn how to listen and collaborate with others, take ownership over your own learning and wellbeing, and create something truly special that you can feel proud of with an inspiring group of individuals.

NOFA violinist, Freya, said: “I think you should join NOFA because it is a once in a lifetime opportunity and you will never want to leave! It gives you a new outlook on other people and instruments, and it’s something you can’t get anywhere else.”

Are you interested in learning more and signing up for NOFA?
Would you like to nominate a young person for the orchestra?
Register your interest using the form on the NOFA page below:

Big Give: Double your donation this spring with our Arts for Impact campaign!

Together, we can make a difference.

We’re delighted to share that from now until 12pm on 26 March 2024, you can make an even bigger impact on the lives of the young musicians Orchestras for All (OFA) supports by donating to our Big Give Arts for Impact campaign – with every single donation doubled!

Music can be transformative for young people’s education, development and wellbeing, but not everyone feels included in or able to access existing musical opportunities. While we are so proud to have encouraged and inspired 8,000 young people, 35 schools and more than 300 teachers over the past year, there are many other young people who could benefit from OFA’s vital work. 

National Orchestra for All alum, Tianci, told us: “Here it doesn’t matter if you’re disabled because you can still play music. You can be in a wheelchair and still play the trumpet or the clarinet. You could have a stammer and still play the violin because music is like a new language. It’s a language we can all communicate by.”

We’ve set a fundraising target of £10,000 for our spring campaign and now, we need your help. As a charity, we rely on donations to deliver OFA’s inclusive music-making programmes, which aim to empower young people from the most isolated, vulnerable and marginalised groups to embark on their music-making journey with us.

Read more: Orchestras for All’s powerful impact report >

By donating to our Big Give campaign, you’ll be instrumental in helping us to hit our target and reach 1,000 more young people nationwide who can explore their creativity through music – and with every pound donated being doubled, there’s no better time to join our vibrant network of supporters.

National Orchestra for All alum and current Trustee, Chloe, said: “People should donate to Orchestras for All because it’s absolutely life-changing – and it’s definitely changed my life. It’s shaped the way that I think and how I interact with music, especially orchestral music. Now, music is a huge part of my life and my identity.”

While every donation, big or small, is always gratefully received, we know that times are tough and not everyone can support our work financially. You can also help us by: 

• Following OFA on social media and sharing our campaign content 

• Telling your friends, family and colleagues about our charity 

• Subscribing to our newsletter

Thank you so much. Every penny counts and will make our goal of raising £10,000 achievable. It only takes a minute to donate or share our campaign, so do get involved and let’s continue to break down those musical barriers!

35 UK schools to team up in spring 2024 for orchestral music-making with the Modulo Programme

From London to Birmingham, York to Manchester, Arts Council England’s new National Portfolio Organisation is ready for its next tour…

Spring has long been considered the most uplifting season, with its longer days and flowers in bloom – and at Orchestras for All (OFA), it also means exciting new musical opportunities for the year ahead.

With our first live event for the Modulo Programme just on the horizon, students and music leaders across the country are busy preparing for our next series of ‘Modulo Meets’, which welcome young people from diverse backgrounds to play together in large-scale ensembles – whatever their personal background, ability, level of experience or chosen instrument.

Taking place from 26 February to 19 March 2024, the inclusive music-making activities will kick off at London’s Cecil Sharp House, before heading over to the Midlands Arts Centre in Birmingham, University of York and Royal Northern College of Music in Manchester.

We’re delighted to share that Modulo reaches new heights this season, with a total of 41 applications received and 35 schools participating in the programme. This is a new record for in-person Meets at OFA and we’re so pleased to be bringing Modulo’s positive impact to even more local communities across the UK, breaking down musical barriers and improving access to music education for young people who need it the most.

During our spring 2023 Meets, a participant said: “I enjoyed the opportunity to visit a new place and work in some of the different Modulo music spaces. Everyone was very kind and encouraging and made Modulo an enjoyable experience.”

Read more: Orchestras for All’s powerful new Impact Report >

This season, 18 schools joining us are from Arts Council England’s Levelling Up for Culture Places and/or Priority Places, 15 schools are returning to the programme and one is a home educated group. We’re also widening our impact by welcoming our first Modulo ensemble from a Special Educational Needs and Disability (SEND) school and they will be supported by our Wellbeing Lead, Sasha Mattock.

For the students that join us, Modulo is more than just a music education initiative. For many, attending a Meet can be a transformative experience that goes beyond reading the notes on a page. Our charity’s aim is to empower each young person to express themselves, explore their own creativity and build confidence and leadership skills, while learning to collaborate and communicate with others.

A Modulo musician told us: “I feel more confident in ensemble playing and have enjoyed discovering new music and instruments. I’ve also made new friends through Modulo, who I talk to regularly!”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

Modulo values diversity and encourages its young participants to explore a broad range of musical genres and styles from around the world, helping them to foster cultural awareness and an appreciation for different traditions. This spring, our repertoire includes the ‘Allegro’ movement of Symphony No. 1 (1932), penned by Arkansas-born classical composer, pianist and organist, Florence Price, and arranged specially for our inclusive Modulo ensembles by award-winning composer, Emily Lim.

Pictured: A group of Modulo participants and OFA Ambassador, Tashan, at Royal Birmingham Conservatoire

Participants will also be raising their instruments to play ‘Hornet’, a dramatic video game soundtrack taken from Hollow Knight, written by composer and sound designer, Christopher Larkin. Orchestras for All’s Associate Conductor, Rocco Brunori, who specialises in brass and music education in primary schools and universities, produced the Modulo arrangement, and the work was selected as an OFA piece by Modulo and National Orchestra for All members during our 2022-23 season.

Plus, our inclusive ensembles will have the opportunity to perform ‘I Wish’, a 1976 funk classic written and produced by Grammy Award-winning American singer, Stevie Wonder. The uplifting song, which has been arranged for OFA by our keyboards tutor, Matthew Poad, focuses on Wonder’s childhood from the 1950s into the early 1960s, with lyrics sharing how he wished he could go back and relive it.

We can’t wait to greet our dedicated cohort of school students and music leaders – who now have access to an exclusive online hub of Modulo resources – very soon, and would like to extend our warm thanks to the ongoing support of OFA’s generous funders and individual donors. Without you, our charity wouldn’t exist.

Not attending the Meets but keen to get a sense of the action? We’ll be sharing daily event highlights via our social media channels, including Instagram takeovers from OFA’s 10 brilliant Ambassadors, so do visit our profile and follow along!

Finally, if you haven’t quite locked down your New Year’s resolutions this year, why not join our inspiring network of supporters? By donating just £10 a month to Orchestras for All, you could help a young person who faces daily barriers discover the joy of music-making with others, when they may not otherwise have the opportunity.

Making an impact: read Orchestras for All’s powerful new report

Building inclusive communities, one musical note at a time…

Another memorable year at Orchestras for All (OFA), another inspiring Impact Report – and our 2022-23 roundup might just be our best one yet.

In a world that often echoes with discord, we’ve been working tirelessly over the past year to become a driving force for positive social change by welcoming young people and music leaders from all across the UK – from London to Birmingham, Manchester to York – to our inclusive music-making activities.

We truly believe that the joy of group music-making should be experienced by all young people, from all walks of life – not to mention the associated benefits that come through playing music with others in an orchestra, which include boosting a young person’s confidence, developing their social skills, unlocking creative potential and building community, to name but a few.

In our latest Impact Report, we share key findings from OFA’s three barrier-smashing programmes: National Orchestra for All (NOFA), Modulo and Music Leadership Training (MLT), through which we aim to empower and energise young people and music leaders alike – regardless of their personal circumstances or the daily challenges they might be facing.

Trustees Beth White and Joelle Sogunro said: “This year, the number of NOFA members has doubled compared to last year, which is a testament to the growing influence and reach of our organisation. Through Modulo, we reached 613 young people nationwide, directly impacting their lives and fostering a sense of community through music making. Plus, an astounding 7,000 young people have been indirectly impacted through our MLT programme.”

Read more: 13 barrier-smashing highlights from Orchestras for All in 2023 >

Modulo participants play together at Cecil Sharp House in London, led by OFA’s Associate Conductor, Rocco.

The former NOFA members added: “We firmly believe in the power of youth voice and have taken significant strides towards championing it, so one of our key triumphs this year has been the development of youth leadership opportunities at OFA. As part of this, we handed over the Youth Board to current OFA Ambassador, Chloe Morgan, and welcomed her to the Board of Trustees. Chloe’s energy and fresh perspective has already made a positive impact on our decision-making processes.

“We also further invested in our wellbeing approach, ensuring that OFA’s programmes not only inspire creativity but also nurture the individual needs of every participant – making our initiatives even more inclusive and accessible, while opening up doors for diverse young minds to thrive.”

Read more: Meet National Orchestra for All musicians, Lola and Christian >

As well as outlining the steps we have taken to keep youth leadership and wellbeing at the forefront of OFA’s vital work, the Impact Report shares event highlights, heartwarming stories of personal growth and resilience from the young people who participate in our programmes, and sheds light on how we plan to strengthen the charity in future – from investing in our environmental responsibility to continuing our exciting transition as a new National Portfolio Organisation.

Alongside our commitment to providing high-quality music education and musical opportunities, building inclusive communities where each and every young person (and staff member) feels welcome and supported is what makes OFA so very special.

By fostering a sense of belonging and collaboration, we’re creating vibrant ensembles that reflect the rich tapestry of our society. During NOFA’s spring 2023 residential, we recorded a video of the young musicians creating a powerful improvised piece, titled ‘Strength in Numbers’, with composer and multi-instrumentalist, Joe Broughton. The video (watch above) is currently being considered in the Smiley Charity Film Awards 2024 and open to a public vote until midnight on 24th January 2024 – you can support us by casting your vote here!

We can’t wait to see what the future holds for OFA and through our latest Impact Report, we hope to demonstrate that when young people have access to a safe space in which they can come together to create music, it can be truly life-changing.

Please join us in breaking down musical barriers by reading our Impact Report below and taking a moment to share it with your network – let’s make a difference in 2024!

13 barrier-smashing highlights from Orchestras for All in 2023

From inclusive music-making activities and youth leadership developments to inspiring new additions to our team, here are a few charity highlights from over the past year…

1. Amplifying youth voice

Pictured: Ambassadors Tashan, Beau and Shannon support the OFA team at the Royal Academy of Music.

At Orchestras for All (OFA), youth voice is at the heart of everything that we do. That’s why we welcomed a dynamic new cohort of 10 Ambassadors and appointed 15 passionate individuals to the Youth Board – each playing a fundamental role in representing the wants and needs of the young people our charity supports as well as in the planning and delivery of our vital work in breaking down barriers to music-making nationwide.

“Like the other nine ambassadors, my job is to support the young people if they need anything or have any questions. Always happy to help! The thing I’m most excited about is seeing everyone play together at the end of the course as well as seeing how much progress everyone’s made.”

— Grace, Ambassador and National Orchestra for All alum

2. Sharing powerful stories and expert insights

Throughout the year, we were lucky enough to interview many of the inspiring young people who participate in OFA’s life-changing programmes – both in the “diary room” during our live events as well as virtually. We always learn so much from their often brave, motivating and heartwarming accounts. We also gained expert insights through speaking with arts industry professionals, such as BBC Young Jazz Musician 2022 finalist, Ralph Porrett, and composer and arranger, James Brady.

“It’s important that musical institutions think really seriously about diversity, equity, inclusion and accessibility – and that’s why it’s so brilliant that young people can get involved with Orchestras for All.”

— Ralph Porrett, guitar tutor at OFA

3. A youth-led season of memorable music

National Orchestra for All members rehearse music from the ‘Hollow Knight’ soundtrack.

We’re keen to ensure that our repertoire always resonates with the personal interests and aspirations of our diverse community, so our Youth Board have been busy collaborating with OFA’s Artistic Director, Emma Oliver-Trend, to co-design our current musical season. Video game soundtracks continue to be a popular choice with young people, so ‘Hornet’ and ‘Reflection’ (taken from Christopher Larkin’s video game soundtrack, Hollow Knight) made it to this year’s list, alongside ‘99 Red Balloons’, a protest song by 80s pop singer, Nena, and ‘Merry-Go-Round of Life’, a stunning piece written by Japanese film composer, Joe Hisaishi.

“It’s good at NOFA because there are a lot of video game music composers who get inspiration from orchestral music, but you never usually hear their music being played.”

— Christian, euphonium player at National Orchestra for All

4. Welcoming our Associate Conductor, Rocco

Associate Conductor, Rocco Brunori, leads the way during a performance at Royal Birmingham Conservatoire.

As well as expanding our team of Young Leaders in 2023, we were also proud to welcome another maestro to the charity to support us in delivering OFA’s artistic vision. Associate Conductor, Rocco Brunori, has been working closely with our Artistic Director and skilled team of professional orchestral tutors to bring vibrant new energy to our inclusive ensembles and arrangements. It’s all about dynamics, expression and sticking to the beat!

“I truly enjoy seeing so many young musicians and colleagues. I conduct all sorts of musical styles (symphonic, jazz, big band, wind band, choir and brass band) and I love the challenges this role is offering me. It’s never-ending fun!”

— Rocco Brunori, Associate Conductor

5. Securing new Arts Council England funding

Pictured: Trustees, Ambassadors, core team members and special guests gather in Birmingham.

In the spring, we were excited and grateful to hear the news that OFA would be one of the arts organisations receiving new funding from Arts Council England (ACE). Also known as the National Portfolio Organisation (NPO) Transfer Programme, this funding will help our charity deliver its creative and cultural activity over the next few years and as part of the programme, new NPOs are encouraged to move their registered office out of London to another UK-based location by October 2024. Watch this space!

“This is fantastic news. I’m so glad that OFA’s got the funding to improve the lives of young people – just like they did for me. Their commitment for making a space where young people can thrive both musically and socially is unique.”

— Isaac, former National Orchestra for All Ambassador and young carer

6. Youth leadership takes centre stage

It takes two: Co-Chairs to the Board of Trustees, Susanna Eastburn (left) and Beth White (right).

The growth of our core team has also included welcoming OFA’s first-ever Youth Leadership Coordinator, Elen Derrett – a National Orchestra for All (NOFA) alum, cellist and recent Royal Welsh College of Music & Drama graduate. She is joined by NOFA alum and trumpeter, Beth White – our new Co-Chair to the Board of Trustees, working alongside Susanna Eastburn MBE. Both Elen and Beth have already made a positive impact and taken OFA’s youth leadership to the next level, regularly representing the charity at arts conferences and events across the UK.

“I am so excited to continue my OFA journey and delve deeper into the organisation. I have found such a fulfilling purpose over these last few years volunteering in numerous roles and can’t wait to see what this new venture as Co-Chair brings.”

— Beth, Co-Chair to the Board of Trustees

7. Spring activity with Modulo and National Orchestra for All

Making friends through the power of music: A group of young participants bond during a Modulo Meet.

With the launch of NOFA’s new season and our first few Modulo Meets of the year all taking place throughout March and April, our spring months were filled with joy, connection and young participants being empowered to take ownership over their music-making. From London’s Cecil Sharp House to the University of York, Royal Birmingham Conservatoire to the Royal Northern College of Music in Manchester, our first tour of the year left us with memories to last a lifetime.

“For me, playing instruments is the best part about music. I think it’s very exciting and I really enjoy it.”

— Xander, Modulo participant and bassoonist

8. Summer extravaganzas

Of course, the musical fun didn’t stop in the spring! During our summer activity, NOFA and Modulo musicians played everything from traditional orchestral works written by underrepresented female composers – including the first movement of Florence Price’s Symphony No. 1 in E minor – to improvised pieces such as ‘Strength in Numbers’, which was written in collaboration with NOFA and Joe Broughton. Young musicians also shared their love of music with their peers in our famed NOFA recital evening – a true annual highlight!

“When you’re improvising, you can do nothing but think of the song you are playing, which gives you a sense of freedom.”

— Farbod, National Orchestra for All flautist

9. Wellbeing remains at the forefront of our work

Pictured: Orchestras for All’s new Wellbeing Lead, Sasha, kickstarts a NOFA day with some relaxing stretches.

At OFA, the wellbeing, safety and happiness of all young people and staff is our top priority. We do everything in our power to promote welcoming, inclusive and accessible spaces and are committed to creating a positive safeguarding culture. This year, Sasha Mattock joined the core team as our new Wellbeing Lead and her key focus is to embed wellbeing at every level of the organisation. The young people we work with have also been encouraged to write ‘About me’ profiles, sharing their individual needs and preferences with us in their own words.

“When I found Orchestras for All, it showed me there are places that value wellbeing completely. It makes me excited that I can use the skills and knowledge I have developed to contribute to creating spaces that support wellbeing.”

— Sasha Mattock, Wellbeing Lead

10. Live webinars for music leaders

As part of our Music Leadership Training programme, we held a series of live webinars for music teachers and leaders across the UK – including a session on ‘Inclusive Arranging for Mixed Ensembles’. Drawing on experience from NOFA and Modulo, and led by Glasgow-based arranger and music educator, James Brady, the webinar introduced participants to practical arranging techniques and approaches, while also exploring the importance of repertoire choice, instrumentation templates and the essential connection between musical content and rehearsal techniques.

“For many of us working in music education, buying arrangements off the shelf isn’t always the best solution. We’re often dealing with groups with wide ranges of ability, or unusual instrumental line-ups, or mixing different genres of music – and this is something we do at NOFA and Modulo all the time.”

— James Brady, arranger and orchestral tutor at Orchestras for All

11. Inspiring away days

Orchestras for All’s Youth Board, Trustees, core team members and guests meet for an inspiring away day.

Throughout the year, we held thought-provoking away days in a variety of London locations for OFA’s Youth Board, Trustees and core team. Most recently, we discussed key topics such as wellbeing, the environment, artistic development, diversity, inclusion and accessibility as well as how our charity and its activities could become even more youth led in future. Every decision we make at our charity is guided by young people: “Nothing about us, without us.”

“I cannot do all the good the world needs. But the world needs all the good that I can do.”

— Co-Chair, Beth, shares a quote from Jana Stanfield with away day attendees

12. Advocacy at national conferences

Making an impact: Executive Director, Nick Thorne, and Youth Leadership Coordinator, Elen Derrett.

To help raise awareness of our charity’s vision, life-changing impact and unique approach, ‘The OFA Way’, with other organisations across the arts sector, we regularly took to the stage at national conferences. Our new Youth Leadership Coordinator, Elen, recently attended Music Mark’s annual conference in Southampton and gave an insightful presentation to delegates about the importance of youth leadership within music education.

“As a National Orchestra for All alum, I feel very privileged to be able to share Orchestras for All’s powerful approach to youth leadership with the world.”

— Elen, Youth Leadership Coordinator and former NOFA cellist

13. Soothing sounds at National Orchestra for All’s winter regionals

A group of NOFA musicians play Gamelan instruments as a percussionist tries his hand at conducting.

To wrap up another memorable year, we held a series of one-day winter sessions for NOFA members in York, London and Glasgow. Here we introduced them to the enchanting sounds of Indonesia’s beautiful Gamelan instruments – and unlike traditional orchestral instruments, they can be picked up by ear, so do not always require sheet music. This makes them the perfect choice for an inclusive group and with the relaxing ambience they create, listening to Gamelan music can be a great way to boost your wellbeing and unwind after a busy day too. Give it a go!

On behalf of everyone at Orchestras for All, we would like to thank each of the incredible individuals and organisations who have been part of our journey in 2023. Without you, our life-changing programmes wouldn’t exist. We are so grateful for your ongoing support and can’t wait to see what the future holds. Roll on 2024!

Keen to support young people in fulfilling their musical dreams?
Please donate what you can to our charity today:

Welcoming a new Co-Chair: Beth White takes up new role as Orchestras for All’s Co-Chair of the Board of Trustees

Susanna and Beth after their first meeting as Co-Chairs of Orchestras for All

Orchestras for All is delighted to announce the appointment of Beth White as the new Co-Chair of the Board of Trustees. Beth will sit alongside Susanna Eastburn MBE, our current Chair, who moves to the position of Co-Chair alongside Beth. This appointment marks a significant moment in OFA's journey as Beth brings with her a unique blend of experience, passion, and connection to the organisation's mission.

Read more: Introducing the newest members of the Orchestras for All team >

Beth White: A Remarkable Journey with Orchestras for All

Having joined the charity as a cornet player from Peterlee in County Durham back in 2013, Beth’s journey with Orchestras for All is nothing short of inspiring. She is not only a current Trustee but also a previous participant of one of the charity’s programmes, the National Orchestra for All (NOFA), and Founding Co-Chair of OFA’s Youth Board 2020-2022. Her story is a testament to the transformative power of music.

““I am so excited to continue my OFA journey and delve deeper into the organisation. I have found such a fulfilling purpose over these last few years volunteering in numerous roles and can’t wait to see what this new venture as Co-Chair brings.” ”

— Beth White - Co-Chair of Orchestras for All

Read more: Music podcast highlights need ‘to take meaningful action against inequality’ – here’s how to listen >

Orchestras for All Ambassadors laughing with guests at the National Orchestra for All summer course

The Power of Youth on Charity Boards

OFA’s Board of Trustees are a group of 12 volunteers who ensure we carry out our mission, use our funding and resources wisely, ensure we are accountable and comply with our governing document and the law.

It’s our belief that Boards whose trustees have different backgrounds and experience are more likely to encourage debate and to make better decisions as a result.

As a charity working with young people, Young Trustees bring fresh perspectives, energy, and a deep understanding of current issues. However, when less than 3% of charity trustees are under 30, charities are in desperate need of young people’s perspectives. This engagement of young people, alumni of OFA’s programmes, not only helps in better understanding the needs of the community but also paves the way for more effective and relevant decision-making and strategic planning.

According to a study conducted by the Charity Commission, organisations with younger Trustees tend to be more innovative, adaptable, and in tune with the needs and expectations of younger beneficiaries.

Read more: Meet Orchestras for All’s barrier-smashing new trustees >

Beth and the founding Orchestras for All Youth Board members

Beth White's Vision for Orchestras for All

Beth’s appointment as Co-Chair is a clear signal of OFA's dedication to promoting the involvement of young people in the decision-making processes. She brings her unique perspective as a previous member of the NOFA programme, having experienced firsthand the transformative power of music and the impact it can have on the lives of young people.

She Founded OFA’s very first Youth Board 2020 – 2022 at a vital moment for young people’s perspectives to be heard throughout the pandemic. Her leadership oversaw the Youth Board rebranding the charity, becoming more invested in artistic and programme decision making alongside creating the Youth Board slogan: nothing about us, without us.

Susanna Eastburn, Co-Chair shared: “I am so looking forward to working as Co-Chair with Beth, who has been a wonderful and committed Trustee and brilliant advocate for our work. Co-Chairing is a new experience for me and I appreciate being able to draw on Beth’s insights from her previous role as Co-Chair of the Youth Board. Putting youth leadership at the top and front of the organisation is what we’re all about, so this is a vital step for us to be taking.”

Read more: 7 wonderful ways youth leadership will empower your youth orchestra >

As Beth takes on this new role, we can look forward to witnessing her passion and dedication driving positive change within Orchestras for All. With her unique perspective having taken part in NOFA, Beth is poised to lead Orchestras for All towards even greater heights, ensuring that more young people across the country can experience the transformative power of music.

Orchestras for All seeks new headquarters – join the search!

As Orchestras for All (OFA) continues to expand and develop its reach and impact across the UK, the charity finds itself in an exciting new phase of growth and development.

We are now on the lookout for new headquarters that will provide much more to us than just office space; our new location could also be a hub for forging new partnerships, nurturing existing relationships and fostering creativity within the sectors of music education, mental health and wellbeing, youth leadership and engagement.

We invite you, our incredible network of supporters and followers, to join us on our search by sharing your expert insights and recommendations for where our new headquarters could be based.

A Modulo participant expertly conducting their ensemble

What are we looking for?

Our vision is a country where all young people have access to the joy and benefits of orchestral music making, regardless of the daily challenges they might be facing.

By relocating to a vibrant location that takes OFA’s strategy into consideration, we aim to amplify our charity’s impact, celebrate being truly national and strengthen our connections within the sectors we are so deeply passionate about.

We have now embraced a hybrid model of working and are based all across the UK, so our new headquarters will not merely offer us a physical space, it will also provide us with the opportunity to collaborate and innovate.

We are envisioning an area of the country where like-minded organisations and individuals can come together to share ideas, knowledge and resources. It should be a dynamic space, where music educators, mental health and wellbeing advocates, youth leaders and artists alike can join forces to create a positive ripple effect across the UK.

Anthony and the powerful National Orchestra for All (NOFA) trumpet section

We need your help!

We believe that the best suggestions often come from the participants of our programmes and the supporters who believe in our cause. Whether you’re a young person, teacher or tutor working with OFA, or someone who values the impact of music on young lives, your input is truly invaluable to us.

• Can you suggest a city or town that is well-known for its vibrant arts scene and/or commitment to young people?

• Is there a region in which the passion for music and wellbeing of young people seamlessly unite?

• Perhaps you have a personal connection to a place or organisation that you feel we should be teaming up with, to ensure our vision and mission become a reality?

We hope this callout will result in an exciting list of locations and partners that we can explore for our relocation, or give us food for thought about how we might engage with other brilliant organisations.

Orchestras for All Artistic director and conductor, Emma, leading the way with her violin

How to get involved

There are three key ways you can contribute:

1. Share your suggestions: Please complete the short questionnaire below, offering recommendations for where our new headquarters should be and explain why you think a particular place would be an ideal fit;

2. Spread the word: Encourage your friends, family and colleagues to participate. The more diverse and wide-ranging the suggestions, the better!

3. Engage in the conversation: Follow our social media updates and join the ongoing conversation about our potential new headquarters’ location. Your insights and perspectives are incredibly valuable.

Your recommendations will not only help to shape our future; they will also enable us to have a positive and lasting impact on the lives of young people nationwide.

We will research each and every recommendation, assessing their potential within the topics of strategic and partnership opportunity, accessibility, financial and environmental opportunity and impact, culture and values as well as participant and audience development.

Thank you for being part of our mission – stay tuned for updates and we can't wait to see where this collaborative effort takes us! Together, we can continue to smash down the barriers to music making that so many young people face every day.

Questionnaire deadline: 12pm on Thursday 28th of September

A tribute to Elli Chapman, Orchestras for All's Wellbeing Lead 2021-22

It is with great sadness that we share the news that Elli Chapman, OFA’s Wellbeing Lead 2021-22, passed away suddenly last week.

Elli joined Orchestras for All in July 2021 as the charity’s first Wellbeing Lead, focussing on supporting the development of young people’s personal, social and wellbeing needs within the National Orchestra for All.

Elli Chapman, Orchestras for All’s Wellbeing Lead 2021-22, at a National Orchestra for All course in 2022

NOFA Programme Manager, Paula Morgan, said: “I am deeply saddened to hear the news about Elli's passing. We worked closely together on the wellbeing of our young participants in National Orchestra for All. Elli was a strong, passionate woman who brought so much knowledge and expertise to OFA.  She was a brilliant support to the young people and families. Elli cared deeply about the young people we were supporting by creating a safe, supported environment for them. Her energy brought a lot of joy to courses, so much love and kindness. She would bound into the room with her colourful hair and big smile and make everyone feel at ease.

“Elli was also a phenomenal advocate for people with disabilities and for access to the arts, the world has lost a strong voice and a very special person. My thoughts and condolences go to her family, and all the people she has made an impact on through her life, of which there will be many.”

Orchestras for All’s Team, Trustee and Youth Board Away Day in 2021

Based in Lancaster, Elli worked on a variety of arts programmes ranging from being a Board member at Curious Minds and the National Dance Company Wales through to founding Culture Works (East) and being a Fellow of the Clore Social Leadership programme in 2017-18.

Read more about Elli’s inspirational approach to working with young people: Arts Expert explains why Wellbeing is vital for young musicians.

Orchestras for All’s Executive Director, Nick Thorne, said: “Elli was an inspirational role model to both members of NOFA and our team who strengthened and developed a lot of our wellbeing practice and techniques that we still use today. Elli was someone who showcased exactly what was possible if you put your mind, heart and soul into something and was extremely passionate about making the arts more diverse, inclusive and accessible.

“This passion shone throughout all her work with us, from recruiting new colleagues, delivering training sessions and supporting young people, through to attending and feeding into our strategy away days. Her legacy will remain part of our work and culture at Orchestras for All for a very long time.”

Remembering Elli Chapman, Orchestras for All’s Wellbeing Lead 2021-22

On behalf of everyone at Orchestras for All, our thoughts and condolences are with Elli’s family and friends.

To conclude our tribute, we’d like to re-share Elli’s top tips on supporting your own wellbeing:

1. Take a moment to breathe and be present in the moment.

2. Try and do five things every day that are just for you. These could be small things – playing your favourite tune on the piano, painting your nails, talking to a friend or family member, or spending time with your nose in a book.

3. Make a gratitude jar and fill it with moments (written on post-its) about things you have done that made you happy or proud, or other memories you want to keep. Take them out whenever you need a reminder or are having a bad day.

If you’ve been affected by this story please do seek support of your friends, family or alternatively visit the Cruse Bereavement Support website.

Meet National Orchestra for All musicians, Lola and Christian

From building their confidence to boosting their skills, two of our Coventry-based members share their NOFA story…

This week, the inspiring group of young people known as National Orchestra for All (NOFA) will be reuniting in the striking surrounds of Royal Birmingham Conservatoire for their exciting summer residential.

Taking place from 1-4 August, the four-day event will be a non-stop celebration of inclusive music-making and togetherness, with each member of the diverse ensemble being fully supported throughout – both musically and emotionally, based on their individual needs and preferences – by a friendly team of professional tutors.

While NOFA’s lively gatherings have always been joyous and memorable in equal measure, with nearly 100 young people from across the UK now making their way to the Conservatoire, we’re pleased to share that the youth orchestra has finally reached its pre-pandemic numbers – making this residential especially significant.

Ahead of the musical festivities, we caught up with 12-year-old flautist, Lola, and 17-year-old euphonium player, Christian, who were both introduced to NOFA via Coventry Music Hub, to find out what it means to be part of our vibrant musical family.

Read more: In pictures – tour highlights from the summer Modulo Programme 2023 >

Sharing her thoughts on what makes NOFA so special (watch full interview above), Lola said: “Meeting new friends and building my confidence. I love the music we’re playing and I like seeing people who play the same instrument as me! When I first joined, when I first played, I felt like I wasn’t getting judged.

“I feel like people think in their own opinion that they're getting judged – but when you play, it lets it all out and you have confidence. If you mess up or feel like people are going to laugh or like you’re getting judged all the time, you’re not.”

Describing why other young people should join an orchestra like NOFA, she added: “Music, in my opinion, is about expressing yourself in your own way. I feel like you should definitely join an orchestra because it’s really helped me with talking to people and with playing my instrument. It’s helped me learn new notes and different dynamics. You get better at your instrument and you can hear all the other instruments. If you want to play another instrument, then you can hear that too!”

Lola isn’t the only young musician looking forward to the summer residential. Speaking about his experience with NOFA (watch full interview below), Christian told us: “In a lot of orchestras, the only person with the power is probably the conductor, maybe the concertmaster. I’m literally just a person on the euphonium, which a lot of people wouldn’t pay attention to, but at NOFA, I’ve had talks with people to try and see if I can learn new repertoire and even conducted the orchestra myself, so I think that’s pretty cool!”

Explaining why he feels diversity and inclusion is so important, he commented: “Back when we had Baroque, Classical, Romantic music… a lot of it was written by white composers, with white musicians playing it. A lot of the time you’d never see anybody else from different backgrounds in orchestras, or composing or playing the music.

Read more: 13 ways you can be kind to others in an inclusive youth orchestra >

“I think that if we have orchestras with more diversity, it can bring new ideas as music from around the world comes in all different forms. With African drumming, rhythm is given a lot more emphasis. Then if we go to Indian music, they have different scales, which Western music wouldn’t use.”

Highlighting some of the music in NOFA’s current season of repertoire, Christian said: “The first one I want to talk about is from a video game called Hollow Knight, which I think is quite interesting as compared to the other seasons I’ve played in, this is the first time we’ve done a song from a game, which I think is pretty good! There are a lot of game composers that get inspiration from orchestral music but you never really hear them played, unlike some of the bigger composers.”

Pictured: 17-year-old NOFA member, Christian, tries his hand at conducting during the spring residential

“The other piece is called ‘Ghost Town’, which is by a band who actually originated in Coventry! The song talks about what Coventry was like when it went through an era of everything going wrong. Everything was really bad then – and the song just talks about that time. The piece we’re playing is basically just an orchestral version of it, which is quite interesting because I don’t think I would be able to make an orchestral composition of a song like that!

“[NOFA] does help a lot of young musicians to build their musical ability; when I first started, I’d say I was terrible at euphonium. The repertoire they’ve given me, especially in the last season when we did ‘A Young Person’s Guide to the Orchestra’, was very challenging – but I’m able to play it now and I think that challenge is really good as it helps you to improve.”

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education and D’Oyly Carte Charitable Trust, as well as our individual donors and charity volunteers, for making this life-changing musical programme possible.

To support the young people in National Orchestra for All and contribute towards our vital work, please donate what you can today:

In pictures: tour highlights from our summer 2023 Modulo Programme

Making powerful music with young people nationwide…

Earlier this month, the Orchestras for All team went on tour with the Modulo Programme for the first time to bring inclusive music-making activities to school students all across the UK.

From the University of York to the Royal Birmingham Conservatoire, the Royal Northern College of Music in Manchester to the Royal Academy of Music in London, our venues for the Meets provided the perfect backdrop for the 330 young people in attendance – 171 of which had never played in an ensemble before.

By working in close partnership with these venues as well as engaging with their participation teams and inspiring students – many of which joined us as orchestral tutors during the Modulo Meets, we were also able to share best practice for running inclusive music-making sessions with our four brilliant ensembles.

Alongside improving their social and instrumental skills during sectional and full orchestra rehearsals, our diverse cohort of participants had the opportunity to perform an eclectic programme of music to special guests together as one large-scale orchestra – with Nena’s ‘99 Red Balloons’, Joe Hisaishi’s ‘Merry-Go-Round of Life’ and Christopher Larkin’s ‘Hornet’ all becoming firm favourites.

During the York Meet, Modulo percussionist, Kiara, from All Saints Catholic College in Huddersfield, told us: “My favourite piece is ‘99 Red Balloons’ – it just sounds so good with everyone playing together! Also, a really kind thing that Modulo has done for me is donated a drum kit. It really helped me out because I needed a drum kit to practice with at home – I’m so grateful for it.”

In London, Modulo musician, David, from Harris Academy Morden, said: “I’m so excited about our live performance later today and I’ve really enjoyed my trips with Modulo and Orchestras for All. I hope that other people have enjoyed them as much as me!”

Scroll down to browse all the highlights…

Read more: Introducing the newest members of the Orchestras for All team >

York: University of York

Birmingham: The Royal Birmingham Conservatoire

Manchester: The Royal Northern College of Music

London: The Royal Academy of Music

On behalf of everyone at Orchestras for All, we would like to thank our funders, Arts Council England, the Department for Education, the Scops Arts Trust, 29th May 1961 Charitable Trust and the Rayne Foundation as well as each of our individual donors, charity volunteers and loyal supporters who help make the Modulo Programme possible.

Please support aspiring young musicians across the UK and donate what you can today: